Love that pointillism in that second panel, Mel! It works with that left-in-the-lurch feeling I imagine you had. It looks kind of alienating and broken compared to the first panel, which is so bold. If I drew a panel of me getting back into Hobart, there'd be thumbprint smudges.
Love that pointillism in that second panel, Mel! It works with that left-in-the-lurch feeling I imagine you had. It looks kind of alienating and broken compared to the first panel, which is so bold. If I drew a panel of me getting back into Hobart, there'd be thumbprint smudges.
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